I activate the surface before I ever start painting. It's a great way to loosen up and
destroy the fear of a blank substrate. Also, by veiling with glazed colors, some
of these marks remain creating interest. Love this process.
MELODY CLEARY - CONTEMPORARY PAINTINGS - ABSTRACT, NATURE AND LANDSCAPE
Here's a 12 x 12 cradled wood panel on the easel today.
The many marks are what feed my intuition and generate visual excitement for me.
What comes next? Sometimes I don't know but it will happen.
MELODY CLEARY - CONTEMPORARY LANDSCAPE, ABSTRACT AND NATURE ARTIST
Cerulean blue color mixing experimentation as a foundation for a 12 x 12 wood panel. Beneath that
is a green gold mixture.
MELODY CLEARY - CONTEMPORARY ABSTRACT, LANDSCAPE AND NATURE PAINTINGS
Just some zoom photos of the marks I made today on a wood panel - I just love
the close up detail photos.
MELODY CLEARY - CONTEMPORARY LANDSCAPE, WATERSCAPE AND NATURE PAINTINGS
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